Don’t miss any of the best moments of “Boomerang” this week: Augustin Trapenard hosted actor Redouanne Harjane, journalist and writer Ariane Chemin, metal band Gojira & frères, director and environmental activist Cyril Dion and singer Clara Luciani.
“We must continue to give a little happiness” – Redouanne Harjane in Boomerang © Getty / Catherine Falls Commercial
Immerse yourself in the most unusual moments of Augustin Trapenard’s interviews this week by listening to the mix that Anouk Roche mixed just for you:
14 min
Boomerang’s best-of for Friday April 09, 2021
By Anouk Roche
Clara Luciani
On the occasion of the release of his brand new track “the rest”, which also foreshadows the release of his next album Heart on June 11, the singer was the guest of Boomerang:
CL: “I think it’s always alone that we experience poetic binges, sincerely […]
I’m still struggling to understand my personality to be completely honest, because there is obviously a big contradiction:
I am a very modest woman, but on the other hand, I am completely exhibitionist in my songs. It’s inexplicable to me
I think I have this clownish but sad side. Because, however, when you hear my songs, it’s not always happy-happy […]
It’s true that it’s easier to sing about hurt love, but on the other hand, we can sing wounded love in smileyt, that’s always been my thing. I have always talked about disco dark, or absolutely wanting to cry while dancing. But I always made people laugh right away because I don’t go a day without laughing, it’s too important! This is perhaps what differentiates us the most from animals, the sense of humor […]
Self-mockery more than anything else, I think this is a necessary quality. It shows a certain kind of intelligence. It appeals to me a lot when people are funny […]
For once, I will always remember the feeling of opening the “Flowers of evil”, it is a door ajar on the forbidden, a certain sensuality, everything that I did not know “.
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FLAMES – Clara Luciani performs “The Winner Takes It All” by ABBA in French version
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Redouanne harjane
Currently the comedian should be on tour for his show “Miracle”. Pandemic obliges, it reinvents itself differently, via unprecedented outdoor stand-up sessions. Redouanne Harjane was at Augustin Trapenard’s microphone:
Redouanne: “We are millions of lonely people and we come together on stage, we come to prove to each other that we resemble each other, that we have the same anxieties, the same sorrows. Because you cannot cheat on stage. people who come to see you know why they come […]
Give up laughter? No, because whatever happens, it catches up with me!
When I am in front of the piano, in front of the guitar, trying to write a song that is a little melancholy, I am immediately overtaken by my own stupidity […]
We tend to forget that death is part of life. I’m looking to dig into this. We must not drown, we must continue to give a little happiness. It remains my job: to please people, to try to distract them “.
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Ariane Chemin
The investigative journalist for the newspaper “Le Monde” has just published In search of Milan Kundera, her new story in which she follows in the footsteps of the famous writer. She was alongside Augustin Trapenard:
AC: “I find my passion in the eyes of someone you can question, in a hidden story that says a lot about the world.
I like to tell the things that are not told, and to tell them from another angle
I also like to start from a very small anecdote or a small event, to give it a little meaning or politics: a wedding, a funeral. I liked it a lot […]
I have no imagination, that’s the difference between a writer and an author. I am not at all a writer, I am an author, I can tell stories, I can tell what I see, try to go behind appearances, but, to invent, I am absolutely incapable of it “.
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Cyril Dion
The writer, poet and environmental activist, guarantor of the Citizen’s Climate Convention, was invited to Boomerang, on the occasion, Thursday, of the special “Biodiversity” day on France Inter:
CD: “At the time of the COP21 and the Paris Agreements, all the countries set targets for reducing greenhouse gas emissions. France is 40% less greenhouse gas emissions. by 2030 […] And in the opinion of all official bodies, it is always too slow, too little, it wants to please the electorate too much … And suddenly, we are moving too slowly.
A little more radical measures are needed to change things.
We think about it all the time. I had written a text which is on my blog, which is called “Resist but how?” where I drew up a kind of panorama of all the ways of resisting, explaining that they were linked to each other. […]
Finally, in history, in reality, there were nonviolent movements and movements of direct action that were always careful not to cause victims, but where there was sabotage, where there were attacks. , where the suffragists were blasting bombs. In reality, it was this direct action that established a showdown with power, which enabled the nonviolent faction to be able to advance its pawns and to be able to transform laws and be able to transform society.
We spent our time explaining to people everything that was going wrong but never did we come up with a story of what the world could be like if it went well.
Me, what makes me want is to be told how it could be, where I can go. It’s impossible to take people somewhere if you don’t tell them where you are going
Human beings are storytellers. Our way of understanding the world and of transcribing it is always through stories […]
It’s just a way for me to stay alive, my way to keep breathing. And if there is no space to deliver all that is bubbling inside, I after a while I have panic attacks, I go crazy. “
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CARTE BLANCHE – The unpublished poem by Cyril Dion
Gojira & brothers
They form one of the most influential metal groups in the world, sharing music imbued with ecological awareness. They release their new album, Fortitude, at the end of the month. Mario and Joe Duplantier were at Augustin Trapenard’s microphone:
Joe and Mario Duplantier: “If the vibrations of the music are really synchronized with the sound we have in our returns, it creates a kind of moment of magic, whirlwind of energy, there is like a movement, a wave where the public goes into a trance with us […]
Depending on the adrenaline, there are concerts which are more or less difficult, others which are completely successful.
There’s still that really powerful adrenaline and that physical trance. It is enjoyable!
We cry on stage, on the ends of extended songs. In concerts, we always make sure to have moments of trance!
There is a technicality in death metal, it’s crazy, you need a lot of musical knowledge, you have to understand the rhythm. This is where, precisely, it makes you think of jazz.
To be able to play a quality song, you have to work a lot
It’s a music that is composed, it’s not “beef music”, as we say in metal. All of a sudden, there is a movement which changes, which vacillates, which creates dissonance “.
Death metal takes the art of dissonance even further than classical. It’s complex, it’s a wall of sounds with frequencies that hurt but, on the other hand, when you enter this environment, it’s incredibly rich
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